2008 - 2014

True Blood ran on HBO from 2008 to 2014, seven seasons and 80 episodes of swampy, sweaty, blood-soaked Southern Gothic. Alan Ball created it, fresh off Six Feet Under, and adapted it from Charlaine Harris's Southern Vampire Mysteries novels. The premise is a brilliant piece of world-building dressed up as pulp. A Japanese company invents Tru Blood, a synthetic substitute for human blood, and vampires promptly "come out of the coffin" to announce themselves to the world. They are petitioning for civil rights. Some humans want them dead. Some humans want them in bed. Everyone has an opinion.
The action is set in Bon Temps, a fictional backwater town in Louisiana where the bayou steams and the Baptist church and the vampire bar sit a few miles apart. Sookie Stackhouse is a waitress at Merlotte's who can read minds, which she hates, until she meets Bill Compton. Bill is a 173-year-old Confederate soldier turned gentleman vampire, and his head is quiet. That is the hook. Everything else flows from there.
The ensemble is where True Blood earns its reputation. Anna Paquin plays Sookie with a Southern accent that will either charm you or make you throw the remote, and she is game for absolutely anything the scripts demand. Stephen Moyer gives Bill the full smouldering Victorian treatment. Then Alexander Skarsgård strolls in at the end of the first season as Eric Northman, a thousand-year-old Viking vampire sheriff, and the show suddenly has two gravitational centres instead of one. Skarsgård is the reason a lot of people stuck around for season three.
Around them, the Bon Temps crew does a huge amount of the heavy lifting:
Then the guest villains. Mariana Klaveno as Bill's monstrous maker Lorena. Denis O'Hare as Russell Edgington, the ancient vampire king of Mississippi, in a performance so unhinged it deserved its own Emmy. Fiona Shaw as Marnie, a meek medium who gets possessed. Joe Manganiello as werewolf Alcide. Jim Parrack as Hoyt, the sweetest boy in Bon Temps. Anna Camp as Sarah Newlin, a smiling Baptist zealot. Nelsan Ellis died in 2017 and the show is worth watching for his Lafayette alone.
Deborah Ann Woll
Jessica Hamby
Fiona Shaw
Marnie Stonebrook
Anna Camp
Sarah Newlin
Carrie Preston
Arlene Fowler
Jim Parrack
Hoyt Fortenberry
Anna Paquin
Sookie Stackhouse
Ryan Kwanten
Jason Stackhouse
Nelsan Ellis
Lafayette Reynolds
On paper it is a vampire soap. In practice Ball used the supernatural frame to write about American prejudice, and he was not subtle about it. Vampires "coming out of the coffin" is an unmissable gay-rights metaphor. The "God Hates Fangs" protest signs are a deliberate echo of Westboro. The opening titles splice together footage of Pentecostal snake handlers, Ku Klux Klan rallies, baptisms, strip clubs and roadkill under Jace Everett's "Bad Things". The message is that the American South is already supernatural, already violent, already sexual, and the vampires are just the newest target.
Addiction threads through the whole run too. Vampires are addicted to human blood and some humans become addicted to vampire blood, which turns into a street drug called V. There is a recurring strand about the churchgoing right and the supernatural underground being two sides of the same repressive coin. The show is genuinely thoughtful about all of this when it slows down enough to let you notice. Mostly it does not slow down.
True Blood looks and sounds nothing like any other HBO drama of its era. The palette is heat-hazy green and red. The accents are big. Everyone is usually either covered in sweat, covered in blood, or naked, and quite often two of the three at once. The title sequence is one of the greatest ever made for television. Jace Everett's theme song is the finest needle drop HBO ever cleared.
The violence is cartoonishly explicit. Vampires in this universe do not just die when staked, they detonate into a fountain of viscera. People are drained, torn in half, set on fire, buried alive. The sex is the same, in that there is a lot of it and none of it is coy. This is prestige television with a grindhouse streak, and it knows exactly what it is. Ball's genius was playing camp and sincerity in the same scene without flinching.
At its commercial peak True Blood was HBO's biggest drama since The Sopranos, pulling in over 5 million viewers a week in the United States and fuelling a merchandising machine of perfumes, soundtracks, graphic novels and tie-in bottles of Tru Blood you could actually buy at comic conventions. Critical reception was strong for the first three seasons and grew progressively noisier afterwards. Most fans agree it peaks around seasons two and three. Russell Edgington is a large part of why.
The cultural footprint is huge. It kicked off the late-2000s vampire boom alongside Twilight and The Vampire Diaries, and it is the reason Skarsgård, Paquin, Moyer, Manganiello and Woll had the careers they had afterwards. Paquin and Moyer met on set and are still married. The show was nominated for more Emmys than anyone remembers, and Paquin won a Golden Globe for the first season.
I watched True Blood through the first time expecting it to be daft and got a show that is actually trying to say something about the South, and about the people who get told they do not belong in it. The later seasons absolutely do wobble. The mythology piles up. Plotlines about fairies and witches and were-panthers get introduced at a pace the writers cannot sustain. If you are disciplined enough to stop after season five you will remember the whole thing fondly. If you push on to seven you will have a more complicated relationship with it.
What keeps it alive is the combination of Ball's Southern instincts, the scale of the performances (Ellis, O'Hare, Bauer van Straten), and the fact that the show is never, ever embarrassed about what it is. Fans of Six Feet Under will see Alan Ball's fingerprints on every episode. HBO faithful who enjoyed the lush Gothic sprawl of Boardwalk Empire or the genre-pulp chaos of early Game of Thrones will find kin here. And if you like your horror slower and more haunted, The Haunting of Hill House is next door on the shelf.
True Blood is pulp, but it is pulp with something to say, and it says it in a Louisiana drawl with blood on its teeth.
Seven seasons. One genuinely iconic Viking vampire. A theme song you will be humming for weeks. Worth the trip.
Chris Bauer
Sheriff Andy Bellefleur
Joe Manganiello
Alcide Herveaux
Alexander Skarsgård
Eric Northman
Sam Trammell
Sam Merlotte
Stephen Moyer
Bill Compton
Mariana Klaveno
Lorena Krasiki
Todd Lowe
Terry Bellefleur
Denis O'Hare
Russell Edgington
Kristin Bauer van Straten
Pam De Beaufort
Rutina Wesley
Tara Thornton