2006 - 2011

Big Love ran on HBO from 2006 to 2011, five seasons, 53 episodes. Created by Mark V. Olsen and Will Scheffer, with Tom Hanks and Gary Goetzman attached as executive producers from the jump. It premiered directly after the season-six opener of The Sopranos, which gave it the biggest possible launching pad in prestige television at the time, and it mostly lived up to the handover.
The premise is a risk that shouldn't have worked on paper. Bill Henrickson (Bill Paxton) is a hardware-store businessman in suburban Salt Lake City with three wives, seven children and a secret. He is a practicing polygamist who follows the Principle, a fundamentalist Mormon doctrine rejected by the mainstream LDS Church since 1890. His three houses share a single suburban back garden. His wives, Barb, Nicki and Margene, rotate nights according to a schedule pinned up in the kitchen. His children juggle school runs with the constant fear that the wrong neighbour might ask the wrong question.
That is the whole conceit and it is more than enough to keep five seasons running.
Paxton anchors the show as Bill, and it is the performance of his career. He plays a man who genuinely believes he is called to live the Principle and who also wants to win a state senate seat, run a chain of home-improvement stores and keep his family from tearing itself apart. The contradictions pile up and Paxton lets them. You can see him calculating in real time, working out whether the lie he is about to tell is worth the one he told yesterday.
Jeanne Tripplehorn as Barb, the first wife, is the moral centre of the show. She was raised LDS, she is the one who agreed to bring the other two in, and she spends most of five seasons wondering whether she made a catastrophic mistake. Tripplehorn plays her with a quiet devastation that does not ask for your sympathy and therefore gets it.
Chloë Sevigny as Nicolette Grant Henrickson, second wife, is the engine that makes the show dangerous. Nicki is the daughter of Roman Grant, the self-styled prophet of the Juniper Creek compound, and she grew up inside the thing the Henricksons are trying to distance themselves from. She wears prairie dresses in the Salt Lake suburbs and acts as if the rest of the world is the problem. Sevigny won a Golden Globe for it in 2010 and she earned it.
Ginnifer Goodwin as Margene, the third and youngest wife, is the wild card. Margene married into the family in her early twenties on half an understanding of what she was signing up for, and the show uses her to ask what happens when someone realises they built their life on a rough sketch.
Surrounding them is one of the finest supporting ensembles HBO ever assembled. Harry Dean Stanton as Roman Grant, patriarch of Juniper Creek, radiates a soft-spoken menace that turns every scene into a standoff. Grace Zabriskie as Lois Henrickson, Bill's mother, is terrifying in an entirely different register. Bruce Dern as Frank Henrickson, Bill's cast-off father, is her equal and her nemesis. Mary Kay Place, Amanda Seyfried as the teenage daughter Sarah, Douglas Smith as son Ben, Shawn Doyle, Anne Dudek, Daveigh Chase, Joel McKinnon Miller and a briefly memorable Aaron Paul fill out a compound and a neighbourhood that feel entirely lived in.
Tom Hanks
Executive Producer
Shawn Doyle
Joey Henrickson
Bruce Dern
Frank Henrickson
Harry Dean Stanton
Roman Grant
Daveigh Chase
Rhonda Volmer
Joel McKinnon Miller
Don Embry
Will Scheffer
Co-creator / Executive Producer
Aaron Paul
Scott Quittman
The surface is polygamy. The actual subject is the cost of a private life that cannot survive public daylight. Bill wants to run for office, wants to expand his business, wants his children to go to school like anyone else, and the whole architecture of his faith depends on none of that being possible. Every season of Big Love asks the same question in a different key: what do you give up when you decide to stop hiding, and what do you give up when you decide to keep hiding?
Hallmarks the show earns the hard way:
This is the thing that makes Big Love hold up in a way the early reviews did not always see coming. Critics at launch were wary. By season two, Alan Sepinwall and Maureen Ryan were about the only holdouts; the rest of the critical world had caught on.
Visually the show is a study in flat Utah daylight. No Six Feet Under stylisation. No Deadwood painterly sprawl. The camera sits at eye level in kitchens and sitting rooms and lets the dialogue do the work. When the show wants to turn the temperature up, it moves to Juniper Creek, where the light goes brassy and the wardrobe goes floor-length and the whole frame feels half a century out of time.
The musical cue that opens every episode, the Beach Boys' "God Only Knows" at the top of season one, tells you exactly what kind of show this is trying to be. A love story. Several, actually, laid on top of each other. Only one of them legally recognised.
The show was nominated for the Primetime Emmy for Outstanding Drama in its third season and for the Golden Globe for Best Television Series Drama in three of its five years. Sevigny won her Golden Globe in 2010. Paxton received three Golden Globe nominations in the lead category. Ellen Burstyn, Bruce Dern, Mary Kay Place and Sissy Spacek all picked up Emmy nominations for recurring work. HBO treated it as a flagship throughout.
Its footprint on the medium is bigger than its award count suggests. The Righteous Gemstones owes Big Love the entire faith-family-dynasty format. Waco and Midnight Mass work the same compound-versus-outside-world axis. Handmaids Tale picks up the prairie-dress iconography and runs it to a very different destination.
Big Love is one of the quieter crown jewels of HBO's golden era and it is still unusually generous to its characters for a show with this much to say about them. It is not a takedown of polygamy and it is not a defence of it. It is a show about a man who has built a life that cannot survive contact with the outside and who keeps trying anyway. It belongs on any honest shortlist of the network's best, alongside The Sopranos, Six Feet Under, Deadwood and Boardwalk Empire.
I would tell anyone approaching it now to give the pilot two episodes to find its rhythm. The first hour is a lot of exposition in a lot of kitchens. Stay with it. By episode three the engine is running, and by the end of season one you will have a hard time explaining to anyone why you are watching a show about Mormon polygamy in Salt Lake City and why you cannot stop.
Douglas Smith
Ben Henrickson
Chloë Sevigny
Nicolette "Nicki" Grant Henrickson
Ginnifer Goodwin
Margene Heffman Henrickson
Anne Dudek
Tina Jerome
Amanda Seyfried
Sarah Henrickson
Mark V. Olsen
Co-creator / Executive Producer
Jeanne Tripplehorn
Barb Henrickson
Grace Zabriskie
Lois Henrickson
Bill Paxton
Bill Henrickson
Mary Kay Place
Adaleen Grant