Inventing Anna premiered on Netflix on February 11, 2022, as a 9-episode true-crime drama miniseries. It chronicles the almost unbelievable tale of Anna Delvey, a supposed German heiress who hoodwinked New York's elite.
The story is told through the eyes of a journalist determined to uncover the truth behind Anna's glamorous faΓ§ade β all without revealing any spoilers here. With Shonda Rhimes at the helm and Julia Garner delivering a star-making performance as Anna, the series has generated significant buzz for its blend of real-life scandal and stylish storytelling.
This gripping premise sets off a slow-burning chain reaction of blackmail, deception, and moral compromise.
Based on actual events and journalism, Inventing Anna asks what it is about wealth and status that makes people suspend their disbelief. The series examines how an ordinary young woman managed to pose as "Anna Delvey" β a wealthy German heiress β and infiltrate the upper echelons of New York City.
Why It Works: The show draws directly from actual events, making even the most outrageous moments feel grounded in reality rather than Hollywood excess.
On The Att's woke scale, Inventing Anna scores a 4/5, indicating it's largely clean of agenda-driven content with only minor instances of what some might call "standard wokeness," and none that significantly undermine the story.
The series is inherently female-driven (with a woman protagonist and a female journalist investigating her), but these elements arise naturally from the true story rather than feeling shoehorned in. There's a diverse cast β including Laverne Cox as a supporting character β yet this diversity reflects the real people involved and never devolves into tokenism or preachiness.
Importantly, the show avoids soapboxing on politics or identity. There are no gratuitous gender swaps or ahistorical insertions; Anna's tale is told straightforwardly. Even moments that could have become heavy-handed (like commentary on social class or privilege) are handled with a light touch.
Viewers who are sensitive to overt political messaging can relax β Inventing Anna keeps its focus on the characters and the con, not on lecturing the audience.
In short, any woke elements present are easy to ignore and do not detract from the gripping narrative. The series stays laser-focused on its story of crime and consequences without indulging in modern identity politics or forced social messaging.
At its core, Inventing Anna is a meditation on deception, ambition, and the seduction of high society. The series probes how an ordinary young woman, Anna Sorokin, managed to pose as "Anna Delvey" β a wealthy German heiress β and infiltrate the upper echelons of New York City.
It's a story so outrageous that it could only come from real life, and indeed the show draws directly from actual events and journalism. Themes of greed and gullibility loom large: the drama asks what it is about wealth and status that makes people suspend their disbelief.
As we watch Anna confidently navigate five-star hotels and exclusive clubs, we're forced to confront the vapidity of the socialites and bankers who accepted her at face value. The show doesn't preach, but it deftly illustrates an age-old truth β people see what they want to see, especially when blinded by glamour and the promise of fortune.
Through sharp dialogue and telling situations, Inventing Anna explores the moral gray areas of its characters without passing heavy-handed judgment.
The series leaves that judgment to the viewer, all while highlighting the broader commentary on America's obsession with wealth and image. It's a timely reflection in the era of Instagram influencers and scams, grounding the glitzy drama in a very contemporary cautionary tale.
Julia Garner's portrayal of Anna Sorokin/Delvey is nothing short of mesmerizing. With her deliberately odd accent β a curious blend of faux German aristocracy and Slavic undertones β Garner disappears into the role, capturing Anna's chameleon-like persona.
Critics have rightly singled out Garner's performance as a highlight. She manages to make Anna at once alluring, infuriating, and oddly sympathetic. Whether Anna is sweet-talking bankers into multi-million-dollar loans or throwing icy glares at those who doubt her, Garner imbues the character with a magnetic confidence that anchors the show.
What makes Anna so fascinating as a character is her opacity. Even after hours of interrogation and flashbacks, her true motives remain tantalizingly elusive. Garner plays into this mystery β her Anna can shift from vulnerable to venomous in the blink of an eye.
Key scenes often hinge on whether Anna genuinely believes her own grand stories or if it's all calculated manipulation.
Opposite Garner, Anna Chlumsky as journalist Vivian Kent provides the audience's perspective, oscillating between disgust and admiration for Anna's audacity. Their verbal sparring in interview scenes crackles with tension. Vivian's determination to understand "Who is Anna Delvey?" mirrors our own, and Chlumsky's performance adds a grounded foil to Garner's mercurial scammer.
The Result: Together, their dynamic elevates the series from a simple caper to a nuanced psychological duel. The character work β especially Julia Garner's tour-de-force β gives Inventing Anna its heartbeat and makes Anna Delvey an unforgettable figure in the pantheon of TV antiheroes.
Visually, Inventing Anna oscillates between glamour and grit, much like its titular character's double life. The cinematography revels in opulence during flashbacks of Anna's extravagant exploits β we see sumptuous hotel suites, private jets, and art-filled penthouses bathed in warm, golden light.
Costume design plays a starring role: Anna's wardrobe of high-fashion outfits and signature oversized glasses telegraphs her chameleon strategy of "dress the part, become the part." In contrast, the present-day scenes (set around Anna's incarceration and the journalistic investigation) have a cooler, starker palette.
The drab lighting of prison meeting rooms and the clutter of a newsroom lend a grounded realism that cuts through the fantasy. Director David Frankel and others use sharp visual contrasts to underscore Anna's rise and fall.
Tonally, the series walks a tightrope between drama and satirical comedy. At times, it has the zippy energy of a caper β especially when skewering the absurdly wealthy circles Anna navigates. A witty soundtrack and snappy editing infuse these scenes with a Devil Wears Prada flair.
Yet the show also delves into darker, more introspective moments as the consequences of Anna's lies close in.
Admittedly, this leads to some tonal inconsistency, as noted by a few critics. One episode might feel like a glossy social satire, while the next leans into courtroom drama or emotional character study. However, for many viewers, this mix can be refreshing β reflecting the many facets of the story itself.
Overall Assessment: Inventing Anna maintains a stylish presentation that entertains, even if it occasionally juggles one too many tones. Crucially, it never loses sight of the human drama beneath the designer veneer.
One of the pleasures of Inventing Anna is how closely it cleaves to the unbelievable true story β often to dramatic effect. The writers didn't need to concoct wild subplots; reality provided plenty.
Notably, the show drops Anna into the orbit of other infamous real-life scammers, underscoring that con-artists often flock together. In one memorable sequence, Anna dines with "Pharma Bro" Martin Shkreli and Fyre Festival founder Billy McFarland, casually mocking McFarland's plans for his doomed luxury festival.
It's an almost surreal crossover of fraudsters, and incredibly, it really happened. In fact, the real Anna Sorokin even lived for several months in the SoHo loft headquarters of McFarland's company, effectively squatting there among his Magnises team without paying rent.
These details aren't just tossed in for flavor β they reveal the audacity of Anna's grift and the milieu of 2010s "scam culture" she was part of.
The series takes some creative liberties, but mostly in service of confidentiality and narrative flow. For example, journalist Vivian Kent is a stand-in for real reporter Jessica Pressler (who wrote the viral expose and serves as a producer) β a change that allows the show to dramatize the reporting process while respecting individuals' privacy.
Key events like Anna's lavish Moroccan retreat or her trial are depicted with an eye toward accuracy, though naturally compressed for TV. Impressively, many of the most outrageous moments β from Anna's bold demands of bank loans to a sly trick she pulls with internet domain names β come straight from the real accounts.
The Payoff: This commitment to authenticity grounds the show. As you watch, a quick internet search will confirm that Inventing Anna isn't exaggerating much at all. The story's inherent power shines through, and viewers can appreciate the "stranger than fiction" quality without feeling manipulated by Hollywood excess.
Upon release, Inventing Anna became a hot topic β both in pop culture and in critical circles. The show drew high viewership on Netflix (over 500 million hours streamed in its first month) and quickly found itself atop the platform's charts.
Critics delivered mixed verdicts. On Rotten Tomatoes it holds about a 64% approval, with the consensus acknowledging that the series can be "tonally wobbly" but that Julia Garner's performance and the "salacious story make for juicy entertainment."
In other words, even when the narrative balance wavers, the sheer intrigue of Anna's saga and the charisma of the lead actress keep it compelling. Garner's work earned her award nominations (including an Emmy nod), cementing her star status.
Some reviewers took issue with the pacing and the show's sometimes sympathetic tone toward a criminal, while others praised it as addictive, trashy fun with a glossy Shondaland sheen.
Beyond the critics, the series sparked wider conversations. The real Anna Sorokin (from an ICE detention facility) gave interviews reacting to her newfound infamy and even started hosting discussion salons upon release β a testament to how this show turned her into a pop culture figure.
Perhaps most notably, former friend Rachel Williams β portrayed under her real name β publicly condemned her depiction. Williams even filed a defamation lawsuit against Netflix, claiming the show made her out to be "a greedy, snobbish, disloyal, dishonest, cowardly, manipulative and opportunistic person" contrary to reality.
Cultural Impact: Inventing Anna succeeded in capturing the zeitgeist: it not only entertained millions but also prompted discussions about journalistic ethics, the glamorization of scammers, and the blurred line between infamy and fame in the digital age.
In the end, Inventing Anna proves that truth really can be stranger β and more compelling β than fiction. This Netflix miniseries delivers a slick, absorbing narrative that benefits immensely from a fascinating real-life foundation and an electric lead performance.
Our overall rating of 9.07/10 reflects the show's strong execution: it's well-acted, sharply written, and stylishly produced, with only minor quibbles (like some uneven pacing) holding it back from absolute greatness. Crucially, it never loses sight of the human drama amidst the luxury and lies.
Anyone who enjoys character-driven true-crime tales, modern fables of con-artistry, or simply a juicy story expertly told. The show is both a glossy escapade into the world of the rich and a grounded cautionary tale about ambition and deceit.
Even viewers wary of "woke" Hollywood will find little to object to here β with a Woke Rating of 4/5 (minimal woke content), the series stays focused on entertaining rather than preaching.
Inventing Anna succeeds as a riveting portrait of a con artist who held up a mirror to high society's vanity.
Ultimately, Inventing Anna succeeds as a riveting portrait of a con artist who held up a mirror to high society's vanity. It's a testament to the power of storytelling grounded in truth, leaving audiences equal parts entertained and incredulous.
Love her or hate her, Anna Delvey's story is one you won't soon forget β and Inventing Anna ensures that this unbelievable saga shines brightly, without need for excessive embellishment. In a television landscape crowded with make-believe, this true story, told with verve and vigor, stands out as richly worth your time.
Final Assessment: A gripping miniseries that combines style, substance, and scandal into an utterly compelling viewing experience.